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On the Cover: For Frederick Wardy, surfboard building was art and art was an extension of craftsmanship. Prime sample, 1965. Photograph courtesy of Frederick Wardy.

Beyond the flaps, we track Wardy’s transition from shaper to fine artist, the bountiful score of a four-deep Aussie crew, and the impetus of a Central Californian slab hunter and land steward. We also tap into the wisdom of a 93-year-old surfer and hop continents with an enthusiastic surf progeny. Other stops along the way include the sea smoke-filled frames of a New England-based shooter, traffic-snarling art, and one writer’s search for the caretakers of aloha in modern-day Waikiki.

Features

Page 18

ESSAY: THE HOUSEBOAT PARADOX

Midlengths, masscult, and the universal pull toward surfboard singularity.

Words by Kyle DeNuccio | Illustration by Nishant Choski

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Page 26

INTERVIEW: KNOW WHEN TO JUMP

93-year-old Billy Meng on living underneath the Manhattan Beach pier, surfing California’s prime spots by himself, coded surf reports, and more.

Interview by Peter Maguire & Jennifer Harden | Illustration by Yann Le Bec

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Page 30

SWAG BOYS

Along a quiet stretch of New South Wales coastline, Harrison Roach, Jai Glindeman, Mitch Crews, and Ryan Callinan find open ground and empty peaks.

By Duncan Macfarlane

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Page 38

BEYOND THE BLUFF

Slab hunter. Surfboard builder. Archeologist. Environmentalist. Tribal liaison. The Central Coast’s Chad Kaimanu Jackson is a product of place.

Words by Christian Beamish | Photos by Russell Holliday

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Page 48

UNCOMMON SKILL & METICULOUS ATTENTION

As a shaper, Frederick Wardy set a standard in elegant design and top-tier craftsmanship. As a globally-shown fine artist, he left no medium, form, or approach unexplored.

Words by Lance Conragan | Image by Ron Stoner

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Page 62

UNCURBED ENTHUSIASM

Skipping from Houston to Chile to Seaside with third-gen surf progeny (and eternal optimist) Tosh Tudor.

Words by Ben Waldron | Image by Shane Grace

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Page 72

O BEACHBOY, WHERE ART THOU?

Searching for the caretakers of aloha in modern Waikiki.

Words by Beau Flemister | Image courtesy of the Waikiki Beachboys Collection/Grady Timmons

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Page 90

PORTFOLIO: BRIAN NEVINS

From remote Sumatra to his home in New England, Nevins’ photography combines local knowledge and a traveler’s eye with raw character.

Introduction by Matthew B. Shaw

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Page 110

BEAUTIFUL DANGER

Greg Nagel’s traffic-stopping art.

Words by Luke Kennedy

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Page 120

UNDERCURRENTS

Chasing hearsay in Oceania, a missed shot, circus sideshow mythology, issue-adjacent tunes, and a quiet moment captured by the late Art Brewer.

Image by Daniel Pullen

Purist surf energy from Page One to close-of-book, delivered directly to your door.

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