Current Issue

28.2

On the cover: Dion Agius removes the right amount of serenity from a lonely, aquamarine bank on the east coast of Tasmania. Story points inside hack through the thickets of a rhythmic West African pointbreak, the machinations of procuring the perfect two-board quiver, and David Darling’s 1960s lens-work in Hawaii. Hayden Cox’s self-renovated perch in Sydney, and Chris Klopf’s traditional-minded subjects add a touch of the domestic. More below.

Current Issue

28.2

On the cover: Dion Agius removes the right amount of serenity from a lonely, aquamarine bank on the east coast of Tasmania. Story points inside hack through the thickets of a rhythmic West African pointbreak, the machinations of procuring the perfect two-board quiver, and David Darling’s 1960s lens-work in Hawaii. Hayden Cox’s self-renovated perch in Sydney, and Chris Klopf’s traditional-minded subjects add a touch of the domestic. More below.

Features
Photo by Corban Cambell

Page 22

Relentless Industry

Paul Naudé’s drive for creation has taken him from the shaping bays of South Africa to his locus in the boardroom.

Photo by Chris Klopf

Page 36

The Strange Art of Composure

Exacting studies in trim, equilibrium, and gradation through the lens of Chris Klopf.

Photo by Morgan Maassen

Page 44

Soundings: The Two-Board Quiver

Globally targeted pairings with an eye toward minimalism.

Photo by Alan Van Gysen

The notion of rhythm in nature can be seen in the rising sun or the lines of a swell. Here in this corner of West Africa, rhythm pervades all.

Page 56

Nu Rythmo

The pulse and measure of an African point wave.

Photo by David Darling

Page 70

Lucky Eyes

David Darling and his camera were often in the right place, with the right revolutionaries, in 1960s era Hawaii.

Photo by Matt Titone

Page 90

The Future’s Unridden

At Home With Hayden Cox

Photo by Steve Baccon

“I look for landforms. I’ve got a rule-of-thirds grid permanently behind my eyes. I’m always moving forwards, backwards, upwards, downwards—placing objects within the grid.”

Page 98

Portfolio: Steve Baccon

All bona fides in order with the Australian shooter.