This episode is presented by Rainbow® Sandals
The daughter of an American father and a Japanese mother, Shirley Rogers was born in Japan in 1953. She spent her first nine years there, then a few years in Texas. At 16, she moved with her parents to Oahu. At Campbell High School on the Westside, she took photography classes and found a passion for it. She also found surfing—the act of riding waves, the culture, and the community.
In 1971, her parents moved back to Texas. Having freshly graduated, Rogers chose to stay in Hawaii. She moved to the then rural and untapped North Shore, and fell in with the surf luminaries of the era—Jeff Hakman, Gerry Lopez, Rory Russell, Eddie Rothman, Shaun Tomson, and Peter Townend, among many others.
One day at Waimea Bay, filmmakers Jack McCoy and Dick Hoole handed Shirley a 650 Century lens and a tripod and told her to, essentially, “have at it.” She was amazed by what she saw through that telephoto lens. These were the days before auto-focus, and it was a true challenge to follow the surfer and nail the shot, but Rogers was a quick study. She submitted her photos to Surfer, Surfing, and Tracks magazines. They ran them. Soon she was getting paid for her work.
Rogers gained a reputation for her tight, sharp, well-composed images, typically shot from the beach. Her portraiture emitted a candid and all-access quality—she was merely shooting her pals, who also happened to be the most sought-after surf stars of the time.
She traveled—to Indonesia, Australia, Tahiti. She photographed the nascent women’s pro events. She moonlighted as a bartender at the Kuilima, today known as the Turtle Bay resort. In her spare time, she rode dirt bikes. In the late 1980s, Shirley gave up surf photography, got a sales job, and moved from the North Shore to Honolulu.
Now 72, Rogers lives in Huntington Beach.
In this episode of Soundings, Rogers talks with Jamie Brisick about changes on the North Shore, capturing waves less trodden, surfing’s commercialization, her favorite spots to shoot, and tiger tracks in Indonesia.
Produced by Jonathan Shifflett.
Music by PazKa (Aska Matsumiya & Paz Lenchantin).
Feature image by Jeff Divine.
