Features

[sj_full_text_below title=”Extended Subversions” byline=”Introduction by Kevin O’Sullivan” page=”Page 22″ teaser_text=”A%20gallery%20of%20abstraction%20and%20actuality%20from%20the%20set%20of%20Thomas%20Campbell%E2%80%99s%20%3Cem%3EYi-Wo%3C%2Fem%3E.” image=”902270″ overlay_color=”white” credits_text=”Art by Thomas Campbell, Photos by Thomas Campbell and Grant Ellis” credits_color=”white” /]

[sj_full_text_below title=”Manmade/Homemade” byline=”By Steve Pezman and Leo Hetzel” page=”Page 38″ teaser_text=”Lloyd%20Kahn%E2%80%99s%20arc%2C%20from%20surfing%E2%80%99s%20balsa%20era%2C%20through%20New%20Age%20architecture%2C%20to%20off-the-grid%20publishing.” image=”902176″ credits_text=”Photo by Leo Hetzel” credits_color=”white” /]

[sj_full_text_below title=”South From Gibraltar” byline=”By Joaquín Azulay” page=”Page 48″ teaser_text=”Land%20crawling%20in%20search%20of%20untapped%20surf.%20A%20West%20African%20diary.” image=”902177″ overlay_color=”white” credits_text=”Photo by Gauchos Del Mar” credits_color=”white” /]

[sj_full_text_below title=”Mayhem and Beauty” byline=”By Michael Gross” page=”Page 60″ teaser_text=”The%20offhand%20noir%20of%20photographer%20Matt%20Wessen%E2%80%99s%20LA%20County%20series%20captures%20the%20duality%20of%20the%20Los%20Angeles%20surf-scape.” image=”902178″ text_overlay=”Wessen came to be a Santa Monica-born surfer and disruptive creative force. Someone who Barry McGee—a fellow multimedia virtuoso and celebrated contrarian—labels as “the foremost artist working today in capturing the LA underground.”” overlay_color=”white” credits_text=”Photo by Matt Wessen” credits_color=”white” /]

[sj_full_text_below title=”The Privateer” byline=”By Beau Flemister” page=”Page 74″ teaser_text=”Switch-stance%20hellman.%20Duke%20contest%20winner.%20Preternatural%20at%20Sunset%20and%20Pipe.%20First-ever%20to%20get%20tubed%20at%20Waimea.%20James%20Jones%20was%20one%20of%20the%20most%20talented%20and%20fearless%20Hawaiian%20surfers%20of%20his%20generation.” image=”902179″ overlay_color=”white” credits_text=”Photo by Dan Merkel/A-Frame” credits_color=”white” /]

[sj_full_text_below title=”The Venn Diagram of Pop” byline=”By Bolton Colburn” page=”Page 96″ teaser_text=”Alex%20Israel%E2%80%99s%20artwork%20blurs%20the%20lines%20between%20fine%20art%2C%20superficiality%2C%20and%20appropriations%20of%20surf.%20″ image=”902190″ overlay_color=”white” credits_text=”Artwork by Alex Israel” credits_color=”white” /]

[sj_full_text_below title=”Portfolio: Zak Noyle” byline=”Introduction by Jeff Mull” page=”Page 102″ teaser_text=”The%20high%20risk%2C%20high%20reward%20of%20Zak%20Noyle%E2%80%99s%20water%20photography.” image=”902191″ text_overlay=”“Getting stuck inside of a closeout, or going over the falls, will put you in a load of trouble. I do my best to not let those things happen, though sometimes it’s unavoidable.”” overlay_color=”white” credits_text=”Photo by Zak Noyle” credits_color=”white” /]