Features

[sj_full_text_below title=”Relentless Industry” byline=”By Dean LaTourette” page=”Page 22″ teaser_text=”Paul%20Naud%C3%A9%E2%80%99s%20drive%20for%20creation%20has%20taken%20him%20from%20the%20shaping%20bays%20of%20South%20Africa%20to%20his%20locus%20in%20the%20boardroom.” image=”886879″ overlay_color=”white” credits_text=”Photo by Corban Cambell” credits_color=”white” /]

[sj_full_text_below title=”The Strange Art of Composure” byline=”Introduction by Dodge Weirath” page=”Page 36″ teaser_text=”Exacting%20studies%20in%20trim%2C%20equilibrium%2C%20and%20gradation%20through%20the%20lens%20of%20Chris%20Klopf.” image=”886882″ overlay_color=”white” credits_text=”Photo by Chris Klopf” credits_color=”white” /]

[sj_full_text_below title=”Soundings: The Two-Board Quiver” byline=”By Steve Shearer” page=”Page 44″ teaser_text=”Globally%20targeted%20pairings%20with%20an%20eye%20toward%20minimalism.” image=”886919″ overlay_color=”white” credits_text=”Photo by Morgan Maassen” credits_color=”white” /]

[sj_full_text_below title=”Nu Rythmo” byline=”By Sam Smith & Alan Van Gysen” page=”Page 56″ teaser_text=”The%20pulse%20and%20measure%20of%20an%20African%20point%20wave.” image=”886890″ text_overlay=”The notion of rhythm in nature can be seen in the rising sun or the lines of a swell. Here in this corner of West Africa, rhythm pervades all.” overlay_color=”white” credits_text=”Photo by Alan Van Gysen” credits_color=”white” /]

[sj_full_text_below title=”Lucky Eyes” byline=”By Drew Kampion” page=”Page 70″ teaser_text=”David%20Darling%20and%20his%20camera%20were%20often%20in%20the%20right%20place%2C%20with%20the%20right%20revolutionaries%2C%20in%201960s%20era%20Hawaii.” image=”886892″ overlay_color=”white” credits_text=”Photo by David Darling” credits_color=”white” /]

[sj_full_text_below title=”The Future’s Unridden” byline=”By Luke Kennedy & Matt Titone” page=”Page 90″ teaser_text=”At%20Home%20With%20Hayden%20Cox” image=”886893″ credits_text=”Photo by Matt Titone” credits_color=”white” /]

[sj_full_text_below title=”Portfolio: Steve Baccon” byline=”Introduction by Derek Rielly” page=”Page 98″ teaser_text=”All%20bona%20fides%20in%20order%20with%20the%20Australian%20shooter.” image=”886926″ text_overlay=”“I look for landforms. I’ve got a rule-of-thirds grid permanently behind my eyes. I’m always moving forwards, backwards, upwards, downwards—placing objects within the grid.”” overlay_color=”white” credits_text=”Photo by Steve Baccon” credits_color=”white” /]