Soundings: Season 5 Episode 8

Jack McCoy

On MacGillivray Freeman Films, learning through trial and error, storytelling, water cinematography, Mark Occhilupo, resisting repetition, and the power of the soundtrack.

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A preeminent figure in surf filmmaking, Jack McCoy started surfing when his family moved from Los Angeles to Hawaii in 1954. In the 1970s, he began experimenting with film and photography and, in 1976, released his first film, Tubular Swells, produced and directed with Australian photographer Dick Hoole. What followed was a four-decade run filming, directing, and producing classics of the surf genre—including Storm Riders (1982), Kong’s Island (1983), Bunyip Dreaming (1990), The Green Iguana (1992), Sabotaj (1998), The Occumentary (1999), Blue Horizon (2004), Free as a Dog (2006), and A Deeper Shade of Blue (2012)—defined via McCoy’s unparalleled water cinematography. In this episode, host Jamie Brisick talks to McCoy about the evolution of surf filmmaking, capturing emotion, mindsurfing his way through hepatitis, traveling, music, and working with a Beatle.  

Produced by Jonathan Shifflett.
Music by PazKa (Aska Matsumiya & Paz Lenchantin).

Feature image by Grant Ellis.

Jack and Mark Occhilupo are hitting the east coast of Australia this May to celebrate the 25th anniversaries of The Occumentary and Occy’s 1999 World Title. Jack has remastered the film and it’ll be shown on the big screen for the first time ever. You can purchase tickets at