[sj_full_text_below title=”DREAM ON” byline=”by Richard Kenvin” page=”PAGE 22″ teaser_text=”The%20strobing%2C%20hallucinatory%20visuals%20of%2070s-era%20artist%20Glenn%20Chase.” image=”398364″ overlay_color=”white” credits_text=”Photo by Jeff Divine” credits_color=”white”/]
[sj_full_text_below title=”RIDERS OF THE ’STORM” byline=”by Brad Melekian” page=”PAGE 30″ teaser_text=”Behold%3A%20the%20mass%20produced%2C%20Costco-bought%20Wavestorm%2C%20the%20best-selling%20surfboard%20in%20the%20world.” image=”398366″ text_overlay=”“Of course this is heresy to the surf industry, which has historically revered the ‘core’ among all else, and which has its origin story rooted deeply in surfers making products for surfers by surfers.” ” overlay_color=”white” credits_text=”Photo by Dave Nelson” credits_color=”white”/]
[sj_full_text_below title=”BUILDERS OF THE NORTH” byline=”photos by Kenny Hurtado” page=”PAGE 38″ teaser_text=”Pine%20trees%2C%20wood%20hewn%20vehicles%2C%20and%20cobblestone%20reefs%20in%20British%20Columbia%20with%20Jay%20Nelson%2C%20Derrick%20Disney%2C%20and%20Danny%20Hess.” image=”398368″ overlay_color=”white” credits_text=”Photo by Kenny Hurtado” credits_color=”white”/]
[sj_full_text_below title=”NORMCORE” byline=”by Michael Adno” page=”PAGE 50″ teaser_text=”Equipment%20polymath%20Justin%20Quintal%20and%20his%20multifaceted%20wave-sliding.%20″ image=”398367″ text_overlay=”“He practiced drop knees and nose riding on prog logs. This was a time when anything over six foot was frowned upon, unless it carried an old-timer. Yet it was clear he had a natural talent for that kind of surfing—for the balletic, paced approach longboarding demanded.”” overlay_color=”white” credits_text=”Photo by Elli Thor Magnusson” credits_color=”white”/]
[sj_full_text_below title=”A FRIEND OF A FRIEND” byline=”by Bob Beadle with Jack McCoy” page=”PAGE 60″ teaser_text=”Wrestling%20commentator%2C%20photographer%2C%20and%20Sunset%20Beach%20denizen%20Val%20Valentine%20was%20a%20fixture%20among%20the%201960s%20North%20Shore%20community.” image=”398365″ overlay_color=”white” credits_text=”Photo Courtesy of Val Valentine Collection Trust” credits_color=”white”/]
[sj_full_text_below title=”SUPER CREW” byline=”photos by John Respondek” page=”PAGE 70″ teaser_text=”Dane%20Reynolds%2C%20Craig%20Anderson%2C%20and%20Dion%20Agius%20duck%20out%20of%20modernity%20and%20into%20an%20unnamed%20slab%20in%20the%20Outback.” image=”398370″ text_overlay=”“Three of the most high-profile surfers in the world, with access to everything performance-earned money and fame can buy. All the more reason to drop the trappings, get scared, and sleep in the dirt.”” overlay_color=”white” credits_text=”Photo by John Respondek” credits_color=”white”/]
[sj_full_text_below title=”NORTH OF MADISON” byline=”by Michael Machemer” page=”PAGE 78″ teaser_text=”At%20home%20with%20Hasselblad%20master%20Michael%20Halsband.” image=”398369″ overlay_color=”white” credits_text=”Photo by Gabriel Thompson” credits_color=”white”/]
[sj_full_text_below title=”THE PLURAL ISLAND” byline=”by Nick Farago” page=”PAGE 88″ teaser_text=”One%20Barbados%2C%20various%20coasts%2C%20reefs%2C%20peoples%2C%20and%20pockets.” image=”398371″ text_overlay=”“My movements were governed by how the trade winds interacted with the coastline. The east: raw, mountainous, onshore. The west: developed, sheltered, offshore. There were exceptions, like the calmness of the twilight hour, or bends in the wind direction that favored certain angles.”” overlay_color=”white” credits_text=”Photo by Seth Stafford” credits_color=”white”/]
[sj_full_text_below title=”THE MILLENNIAL SHOOTER” byline=”by Sean Doherty” page=”PAGE 98″ teaser_text=”On%20assignment%20or%20self-directed%2C%20the%20results%20of%20Duncan%20Macfarlane%E2%80%99s%20work%20yield%20images%20that%20are%20mind-surf%20worthy.” image=”399097″ overlay_color=”white” credits_text=”Photo by Duncan Macfarlane” credits_color=”white”/]
